Jasmin Wing-Yin Leung is a composer and musician who is interested in resonance, rational intonation and playing the Erhu (a Chinese two stringed spike fiddle). Using mathematical and instinctive extractions to reveal moving sonic 'fingerprints' of physical spaces, her work examines the potential of resonance to speculate ideas of secondhand memory. She believes that the act of tuning can create transformative reciprocal experiences.

Her work as a composer and improviser has been presented across Australia, China, Europe and North America, with festivals/presenters including the NOWNow (Sydney), BIFEM (Bendigo), impuls Festival (Graz), Organhaus (Chongqing), Metro Arts (Brisbane), Sound Out (Canberra), Spectrum (New York), Ostrava Days (Czechia), Tone List (Perth) and Liquid Architecture (Melbourne).

Jasmin was raised on Ugarapul and Kitabul country (rural Queensland); studied in Meanjin (Brisbane), Slovenia and Germany; and has lived and worked in Naarm (Melbourne, Victoria) since 2022.